The Akira Book: Katsuhiro Otomo: The Movie and the Manga


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Description

Brief Description:
"The companion book, The Art of Katsuhiro Otomo, contains further explorations of Otomo's art."--Acknowledgements page.

Table of Contents:

CONTENTS

Acknowledgements 10

Picture Credits 10

PART ONE: KATSUHIRO OTOMO

01 Katsuhiro Otomo 16

02 Some of Katsuhiro Otomo's Manga

Works 57

PART TWO: THE AKIRA MOVIE

01 Introduction: Some Reasons Why Akira Is a

Masterwork 124

02 Akira and the Japanese Anime

Industry 129

03 Akira: Production 154

04 Akira: Characters 173

05 Akira: Themes and Issues 210

06 Akira: The Story of Akira 243

07 Akira: The Style of Akira 277

08 Some of Katsuhiro Otomo's Works In

Cinema 288

PART THREE: THE AKIRA MANGA

01 Akira: The Manga 337

02 The Story of the Akira Manga

Akira Book 1 358

03 Akira Book 2 383

04 Akira Book 3 417

05 Akira Book 4 453

06 Akira Book 5 524

07 Akira Book 6 585

APPENDICES

Moebius - Sky Blue 725

Resources 733

Critics On Akira 739

Fans On Akira 741

Katsuhiro Otomo: Filmographies 743

Katsuhiro Otomo: Manga Works 749

Bibliography 750



Publisher Marketing:

THE AKIRA BOOK

KATSUHIRO OTOMO: THE MOVIE AND THE MANGA: A CRITICAL STUDY

by Jeremy Mark Robinson

This is a book about Akira - the manga of 1982-90 and the movie of 1988, and about the creator of Akira, the genius artist Katsuhiro Otomo (b. 1954). There are very few genuine auteurs in Japanese animation: the animation industry, like all filmmaking on a large scale, is truly collaborative. However, you can definitely see elements in the films directed and written and supervised by Katsuhiro Otomo that are auteurist: Otomo has his own style, visually, but also his own concerns, thematically, politically and psychologically.

Akira is a GIANT of a movie that opens at full blast: this movie rocks from shot one. It really rocks - at a far higher level of intensity than any comparable movie, including all of the classics regularly trotted out as hi-octane movie-making. Akira is clearly one of those movies where the filmmakers have thrown everything they can think of into the mix, and it's a movie in which the film-makers have given their all.

Meanwhile, the manga of Akira exceeds all expectations - about storytelling, about what a comicbook or manga is, about how an action-adventure-fantasy story can work in a contemporary setting, and how a story can be genuinely thrilling, genuinely political, genuinely wild and epic.

In short, Akira ticks all of the boxes: (a) it has action and spectacle in spades, (b) it has fascinating characters and situations, (c) it is incredibly exciting, (d) it is very unusual, sometimes downright eccentric and out-there, (e) it is highly politicized, (f) it has plenty to say about living in the modern world, about contemporary, advanced capitalist societies, and (g) it establishes its own world, its own raison d'etre, its own philosophy with supreme self-confidence.

Akira is the manga to top all manga, to end all manga. It is a manga designed to go further, louder and crazier than any other manga. And it does! Akira delivers on its promise: it really is every bit as great as everybody says it is.

Volume one of the manga of Akira was published in Young Magazine in 1982-83, by Kodansha (one of the big three among manga publishers in Japan - the other two are Sogakkan and Shueisha), when Katsuhiro Otomo was 28.

The Akira Book includes chapters on: Katsuhiro Otomo's other manga and movies; his inspirations and influences; the contemporary anime industry; and a section of the views of critics and fans. Every aspect of the Akira movie is explored (animation, sound, music, voices, story, themes, etc).

Fully illustrated, including many images of the Akira movie, the Akira manga, Otomo's other works in comics and cinema, Otomo's inspirations, etc.

Bibliography, resources and notes. With a full colour laminate hardcover. 760 pages.

www.crmoon.com




Contributor Bio:Robinson, Jeremy Mark
Thomas Hardy, André Gide and D.H. Lawrence. Robinson has edited poetry books by Novalis, Ursula Le Guin, Friedrich Hölderlin, Francesco Petrarch, Dante Alighieri, Arseny Tarkovsky, and Rainer Maria Rilke. Books on film and animation include: The Cinema of Hayao Miyazaki - Hayao Miyazaki: Pocket Guide - Princess Mononoke: Pocket Movie Guide - Spirited Away: Pocket Movie Guide - Pasolini: Il cinema di Poesia/ The Cinema of Poetry - The Art of Masamune Shirow (3 volumes) - The Ghost In the Shell Book (2 volumes) - Fullmetal Alchemist - Blade Runner and the Cinema of Philip K. Dick - Blade Runner: Pocket Movie Guide - The Cinema of Donald Cammell - Performance: Donald Cammell: Nic Roeg: Pocket Movie Guide - Ken Russell: England's Great Visionary Film Director and Music Lover - Tommy: Ken Russell: The Who: Pocket Movie Guide - Women In Love: Ken Russell: D.H. Lawrence: Pocket Movie Guide - The Devils: Ken Russell: Pocket Movie Guide - Walerian Borowczyk: Cinema of Erotic Dreams - The Beast: Pocket Movie Guide - The Lord of the Rings Movies - The Fellowship of the Ring: Pocket Movie Guide - The Two Towers: Pocket Movie Guide - The Return of the King: Pocket Movie Guide - Jean-Luc Godard: The Passion of Cinema - The Sacred Cinema of Andrei Tarkovsky - Andrei Tarkovsky: Pocket Guide.


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